KU Leuven Libraries is happy to present a new online platform for accessing its fragile heritage collections online: EXPO.
EXPO offers virtual exhibitions and a gallery of individual collection items, and informs about digitization and imaging projects at the library.
The virtual exhibitions connect collection items with other works and may or may not be a continuation of actual library exhibitions. Exceptional works from the KU Leuven Libraries’ collections are highlighted in the gallery, which gathers both recognized masterpieces and other fascinating works with a unique story. The project pages introduce the website visitor to ongoing and past activities in the field of digitization. Both initiatives aiming at the digital disclosure of the library collections as well as projects in the context of research and technical imaging are presented.
EXPO is the result of a close collaboration between various departments. Exhibition curators, collection keepers, and other heritage collaborators and partners create the exhibitions and fill the gallery with collection highlights. LIBIS carried out the technical implementation of the site as part of the Heron (Heritage Online) service. The site is based on the open source web publishing platform Omeka. For the site’s development, LIBIS created a direct connection between Omeka, the library management system Alma and the preservation system Teneo/Rosetta, allowing curators to work within a single, integrated environment. The coordination of EXPO is taken on by KU Leuven Libraries Digitisation & Document Delivery. This department manages digitisation projects, executes digitisation in its Imaging Lab and supports research projects with bespoke digitisation techniques and the specific expertise required for scientific imaging.
In a previous blogpost, we introduced the FINGERPRINT project. FINGERPRINT is an interdisciplinary collection and data management project on the exceptional collection of graphic works by Pieter Bruegel the Elder (ca. 1520-1569). It involves the collection and processing of a large amount of visual and material data. To obtain that visual data we have an extensive toolbox at our disposal: a high resolution medium format digital back, a motorized repro stand, a Nikon DSLR modified for multispectral imaging with a collection of multispectral filters, the RICH microdomes and much more. A brief overview. Continue reading
During the Great War, in the night of 25-26 August 1914, soldiers set the fourteenth-century University Hall and its eighteenth-century library wing of the University of Leuven (Belgium) ablaze. To commemorate the hundredth Anniversary of the Library’s destruction, the University of Leuven (KU Leuven) organized a three day international conference on the challenging topic: What do we lose when we lose a library? with the support of the Goethe-Institut Brüssel and the British Council, Brussels. Continue reading
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The latest issue of FARO, Tijdschrift over Cultureel Erfgoed, is out!
The magazine features an article in which we discuss a few examples of the added value digitisation brings to documentary and other cultural heritage objects. Continue reading
The Imaging Lab recently completed the digitisation of 301 manuscripts with lecture notes of the ancient University of Louvain. Digitisation took place as part of the Magister Dixit project, for Lectio, and with support of the InBev-Baillet Latour Fund. Lecture notes have naturally been scattered all over Europe but both KU Leuven and the UCL built up extensive collections after the destruction of the library during World War II in which 68 manuscripts were lost. The recently gathered collection is now virtually reunited. Continue reading
Mayer van den Bergh Breviary, MBB 0618, Folio 2R
Each manuscript reacts differently during photography. As a result, the first question to ask when starting the digitisation of manuscripts is which setup to use. For the digitisation of the of the famous Mayer van den Bergh Breviary, we compared the results of two lens and camera systems, Continue reading