The latest issue of FARO, Tijdschrift over Cultureel Erfgoed, is out!
The magazine features an article in which we discuss a few examples of the added value digitisation brings to documentary and other cultural heritage objects. Continue reading
In a previous post we discussed the use of the X-Rite ColorChecker SG card and the online platform delt.ae as a means to control and validate the colour accuracy of our digitisation workflows. Whilst that process allows for a quick colour management, we found it to be somewhat insufficient in those cases where we want to take the quality of our captures to the next level. Continue reading
The Imaging Lab recently completed the digitisation of 301 manuscripts with lecture notes of the ancient University of Louvain. Digitisation took place as part of the Magister Dixit project, for Lectio, and with support of the InBev-Baillet Latour Fund. Lecture notes have naturally been scattered all over Europe but both KU Leuven and the UCL built up extensive collections after the destruction of the library during World War II in which 68 manuscripts were lost. The recently gathered collection is now virtually reunited. Continue reading
Each manuscript reacts differently during photography. As a result, the first question to ask when starting the digitisation of manuscripts is which setup to use. For the digitisation of the of the famous Mayer van den Bergh Breviary, we compared the results of two lens and camera systems, Continue reading
In close collaboration with Prof. Lieve Watteeuw (Illuminare – Centre for the Study of Medieval Art), the Imaging Lab meticulously digitised the Codex Eyckensis. The codex is the oldest preserved “book” produced in the Low Countries, the wider area encompassing contemporary Belgium, the Netherlands and Luxembourg. The Codex can now be accessed online through LIBIS. Continue reading